The image of the braiding process at the top was missing.
At Store.Alaudae.JP, we believe that this part of the knitting process is the most enjoyable, and we got so caught up in the work that we forgot to take pictures.
For this explanation, instead of using the top knitting process of "PROTOTYPE8: SEVEN SQUARES," we will use "PROTOTYPE8 NINE SQUARES."
There are two differences between the images during this process:
・Material color: The color of the material used is different.
・Height: The height of the material differs by two squares.
However, the knitting process itself is exactly the same. Therefore, we hope you can refer to this image to imagine the top knitting process of "PROTOTYPE8: SEVEN SQUARES."

Before starting the work, I considered core materials for easier handling.
Should we use a reinforcing material (core material)?
This is about whether or not to insert a reinforcing material (core material) when folding the top edge.
If using a reinforcing material:
・Advantages: The folding process is easier, and the finish of the top is better.
・Disadvantages: You may feel the core material when touching the top.
If not using a reinforcing material:
・Advantages: It gives a natural finish and a soft feel to the touch.
・Disadvantages: This requires careful work, and if not done properly the top may end up uneven.
Why we decided to use a reinforcing material:
When it comes to handicrafts, Store.Alaudae.JP is at a beginner level, so we decided to add a reinforcing material (core material) to the top of the top. The reinforcement will stabilize the folding process and prevent the top from becoming uneven.
Choosing whether or not to use a reinforcing material:
The choice of which method to use depends on personal preference.
・For those who want an easy finish: Using a reinforcing material is recommended.
・For those who prioritize touch: It is recommended not to use a reinforcing material.
Summary
Folding the top is an important process that greatly affects the overall impression of the work. The decision of whether or not to use a reinforcing material should be made based on the purpose of the work and your own preference.

Current Status and Issues
The theme of the work is "Using two pieces of material, each 15 mm wide and 27 m long, to weave the main body and handle." I will explain using the same material. The length is listed in "Reinforcement material for top enclosure" on the knitting diagram. I had some problems with fixing the work with rivets, as it gave the piece a rough feel and the core material was visible through the stitches.
Future Improvements
To create a better piece, the following points can be improved:
Material Selection:
・We are currently considering using "sealing back-up material," but there may be more suitable materials.
Fixing Method:
・Since rivet fixing gives the piece a rough feel, we need to consider other fixing methods.
・Let's find a fixing method that results in a more natural finish.
Future Outlook
・Store.Alaudae.JP has suspended production for over two years since this piece, but we aim to create more sophisticated works by learning from these experiences.
Supplementary Notes
・Calculation of Diamond Lattice: For a diamond lattice pattern, it is important to calculate the length based on the diagonal width.
・Material Width: The material width should ideally be 6mm or less to prevent the core material from being visible through the knitting.
・Length Calculation: The length should be calculated with a margin to allow for overlapping and fixing.
Summary
・Let's aim to create more beautiful and functional works by reviewing the materials and fixing methods of reinforcements. If you have any better ideas, please feel free to share them.

Height Verification
・Image vs. Actual Height: While the image shows a height of 9 units, please assemble the product to a total height of 7 units, which is 2 units shorter.
・Overall Height Check: Please double-check that the entire assembly is 7 units tall.
Image Explanation
・Image State: The image shows a state where the material of the left-most unit has been folded outward from a position 7 units high from the boundary between the side and gusset, and from the corner.
Summary
・Pay Attention to Height: When assembling, pay attention to the difference in height between the image and the actual product, and assemble it to a total height of 7 units.
・Reinforcement Material: If using a reinforcement material, be sure to insert it during the folding process.

Height Verification
・Overall Height Check: Please double-check that the entire assembly is 7 units tall.
Image Explanation
・Folding Order: In this image, the outermost *MOMOHANAIRO* is folded first, followed by *SEKICHIKUIRO*.
Assembly Image
・Image of the Letter X: Imagine the letter "X". Fold the upper right side of the X downwards to the lower left side, then fold the upper left side downwards to the lower right side, creating a shape like an inverted V.
・Inserting Reinforcement Material: If using a reinforcement material (core material), be sure to insert it between these folds and pass it through the folds as shown in the image.
・Not Using Reinforcement Material: If not using a reinforcement material, you can simply fold and assemble, but this method will not be covered in detail here.
Summary
・Folding Method: Refer to the image and fold the materials in order.
・Reinforcement Material: If using a reinforcement material, be sure to insert it during the folding process.

The image shows the third folding stage of "PROTOTYPE8 NINE SQUARES". As you can see, materials of the colors MOMOHANAIRO and SEKICHIKUIRO are alternately incorporated.
How to incorporate materials
・Hint for those who have trouble visualizing: Imagine inserting the outermost material, skipping one square, and then the next material, skipping two squares.
・Direction of progress: Here, we are incorporating them counterclockwise, but you can go clockwise if it is easier for you.
・Flexibility: This process is just one example. Please proceed with your work in a way that is easy for you, while expanding your image of the finished product.
The most important thing
It is important to enjoy the production process while imagining the finished product.

If you're pulling too hard, you've likely finished one of the gussets at the top. This stage often requires a bit of tension to ensure a seamless finish for the integrated knit sections. However, I realized that simply doing that wouldn't be good enough, and that a seamless finish without the need for adjusting force is the ideal.
In our experience at Store.Alaudae.JP, we've found that the initial flat assembly is absolutely critical for achieving a flawless finish in integrated knit sections. How well you can assemble the pieces on a flat surface without any gaps will significantly impact the final outcome.
For instance, in the "PROTOTYPE8 NINE SQUARES" project, the grid in the "HEIGHT PRECAUTIONS AND ASSEMBLY INSTRUCTIONS" clearly shows that the initial flat assembly was somewhat lacking. Consequently, the folding process at the top was hindered, leading to forced folding and a diagonal twist.
Through these experiences, we've learned that Fortuna Ami's work is all about learning through experimentation. Fortuna Ami's techniques are developed through consistent practice and experience, and can't be mastered quickly.

Some of you may have found the third fold a bit challenging. However, as you continue working, the overall picture will gradually come into view, and you'll start to grasp the concept.
As you can see in this photo, you're simply repeating the same process over and over, so please don't worry. If you have experience with basket weaving, you'll likely find this step quite straightforward.
Even for those new to basket weaving, if you take your time and follow each step carefully, you'll be able to create a beautiful piece.

Background of the Issues
Referencing this image, I'd like to add a note about the reinforcement material (core material).
PROTOTYPE 8 NINE SQUARES
・In the first prototype, we used a 7.5mm wide core material, half of the standard 15mm. However, there wasn't enough space to fold the material over, resulting in a rippling phenomenon.
PROTOTYPE 8: SEVEN SQUARES
・Based on the previous issue, we changed the core material width to 6mm. While this improved the rippling, the overall finish was still unsatisfactory.
Analysis of the Issues
From these issues, the following points can be identified as challenges:
・Core Material Width: The core material width did not match the product's shape or the space for folding, which is considered one of the causes of the rippling.
・Core Material Material: Rather than the core material width, it is possible that using the same material for the core is not suitable.
Future Improvements
Based on the current situation, the following improvements are considered:
・Re-evaluation of the Core Material Width: The core material width needs to be further reduced.
・Changing the Core Material: By changing to a core material with more flexibility and better shape retention, improvement is expected.
Summary
It is clear that the width and material of the core material significantly affect the product during the prototype production stage. In the future, when using core materials, it is necessary to select the optimal core material and improve the overall finish.

We are nearing the completion of the task. The outer folding process is almost finished. While the final steps are relatively simple, it's easy to become impatient as we approach the end. Let's take a deep breath and carefully complete each step to ensure a successful outcome.

How Easy and Fun This Task Is
Once you’ve mastered the technique, this task becomes incredibly simple and enjoyable for anyone.
At Store.Alaudae.JP, we believe this part of the process is especially fun. The satisfying steps of weaving to the grid height and folding it back from the inside out make the entire creation process a delight.
What’s Left to Do
You’re almost there! The only part left is to weave up to the bottom base. The finish line is in sight!

We have added a completed image of the top section of "PROTOTYPE 8: SEVEN SQUARES."
Similar to "PROTOTYPE 8: NINE SQUARES," a certain amount of force is required to ensure that the braided section is finished without any gaps. However, controlling this force proved to be challenging, resulting in misalignment of the two inner layers of material.
This outcome indicates that the current finish is not yet satisfactory. It has reinforced our belief that a seamless finish, unaffected by variations in applied force, is the ideal goal.

When viewed from directly above, the structural flaws of this piece become more apparent. The upper section, as it moves from the inside outward, has been subjected to a force in a consistent direction, causing each component to deviate from its intended position. This deformation is likely the result of excessive force applied in an attempt to create a seamless finish. Had this section, when viewed from above, maintained the ideal positional relationship of each component and achieved a three-dimensional aesthetic, the sense of accomplishment during the creation process would undoubtedly have been significantly greater.

You've come a long way, and I'm sure you've encountered various challenges and discoveries along the way. Understand the working process and start knitting from the top to the bottom bottom.
Exploring Weaving Techniques
Remember, we'll be weaving from the top all the way down to the bottom base. However, since we don't have the physical prototype anymore, we'll have to rely on our memory and the images we have. If I recall correctly, for this specific piece, we inserted the inner band material into the first two squares, then continued by simply weaving the next two squares, and then inserted the inner band material again at the following square. But, given my limited experience, I can't say for sure if this is the most ideal method.
Embrace Your Creativity
To that end, I encourage you to experiment with different weaving techniques. Feel free to incorporate your own ideas into this part of the project.
For example, you could:
・Fold the top section outward and weave all the way down without inserting the inner band material.
・Weave two or three squares, then insert the inner band material at the next square.
And so on.
Your Creative Process
Remember, these are just basic guidelines. The most important thing is to let your imagination run wild and create something truly unique.
In Conclusion
I encourage you to embrace this challenge and create a piece that you're truly proud of.

Looks like you've made it to the bottom of your piece, just like in the picture! This part is really important because it's the base for everything else.
You've come a long way already!
Some people might be happy to finish here and start something new, while others might want to keep going and make it even better.
Either way, we bet you're starting to see why people love knitting so much.
It probably wasn't too tricky, right? Even if you're new to this, you should have been able to follow along just fine.
And that yarn that seemed so short at first? You've got plenty left to finish up. No need to worry about running out.
Next, we'll finish off the bottom and give it some shape. Then, your piece will be good to go!
Keep up the great work!